Preview: Aliwal Arts Centre
Aliwal Arts Centre opens new doors for the local creative scene.
The last part of a trilogy of political-themed films by emerging director Pablo Larrain, NO charts Chile’s unprecedented rise to democracy after it managed to overthrow the country’s military dictator Augusto Pinochet. It's based on the true story and unpublished play The Referendum by Antonio Skarmeta. Shot purely with analog video cameras from the ‘80s, the film seamlessly merges found footage with Lorrain’s effective documentary-style, which lends its mise en scenes a natural, gritty edge.

The latest Superman film is shockingly dated. Despite the many technological advances made in the FX department (surely, this is one of the best-looking and realistic in the series) and the shakiest camerawork we’ve seen in a superhero movie (The Blair Witch Project or Cloverfield, anyone?), there is not much new here. What made the older films so charming, especially the ‘70s and ‘80s originals, were their believable lo-fi aesthetics (groundbreaking then) and Christopher Reeves, who had the acting smarts to make his Clark Kent memorable.
