The debate on this remake of Paul Verhoeven's cult classic is hot (with the recent Total Recall unfortunately fresh in most minds): some say it's a refreshing take, but these critics beg to differ.
Opening in cinemas on Feb 20, George Clooney's latest directorial piece seems to have missed the mark for some. Here we round up their critical opinions.
The Singapore Dance Theatre season this year opens with a full length classical ballet of Romeo and Juliet. Elaine Heng plays the role of Fate, who brings the lovers together at the Capulet Ball. We gather her thoughts on the scene and upcoming performance.
Mohd Yazid from the Urban Redevelopment Authority (URA) has spent most of his life making miniature models of iconic Singapore buildings—30 years in fact. We took five with him to find out more about his love for detail.
We speak with drummer Kåre Wanscher of legendary Danish soft rock band Michael Learns to Rock, before their highly anticipated return gig at the Singapore Expo.
Some might label their sound as either rock, punk, pop or a whole host of cross-genre categories so carelessly used these days. Call them whatever you like and they won't even bat an eyelash in response. Having been around since the late 90s, Plainsunset have successfully maintained a following of fans despite changing priorities and family through years of tough ground work and fiercely staying true to their brand of music. We speak to lead vocalist Jonathan Chan and guitarist Norsham Husaini about their secret to longevity.
French photographer Alain Soldeville is the man behind Bugis Street—recently unearthed portraits of the transgender community in 1980s Singapore—opening at Objectifs on January 30.
Chinese-American artist Zhang Chun Hong showcases clean, yet haunting, trompe l'oeil artworks at her latest show Currents: Flow, Fall, Calm, Curl at Galerie Steph. She talks hair and art with us.