Multi-disciplinary artist and filmmaker Green Zeng is known for thought-provoking works that explore identity and historiography. His latest work, Shifting Dioramas, features photographs of SG50 billboards, taken at night, with superimposed representations of Singapore’s evolving electoral boundaries. The collection of 11 images is now on display at a solo exhibition at Chan Hampe Galleries until April 10.
Tell us about the inspiration behind Shifting Dioramas.
How did you use the electoral boundaries in your work?
In the art works, I have superimposed electoral lines of a Single Member Constituency (SMC) or Group Representation Constituency (GRC) from different years onto the billboard and landscape. Some photos feature a single line; others feature lines from different years. These lines appear as random shapes drawn across the photographs.
How do you find a balance between delivering political commentary while ensuring that your work isn’t subject to censorship or exclusion?
How has your work been received by Singaporeans? Has the response from overseas audiences been different?