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Fadzli Aris |
What inspired your piece?
Fast movement and high rise buildings. What do you love most about Singapore?
The fact that it is an island and it has everything you need. What do you hate most about Singapore?
Lack of murals on HDB buildings! |
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Candice Phang
a.k.a Puffingmuffin 29, illustrator & graphic designer |
What’s the message behind your work?
This piece was inspired by a quote I chanced upon online. It says “Life is like a balloon. If you never let yourself go, you will never know how far you can rise.” I thought this was pretty apt for Singapore, where people are so caught up in our competitive society that they forgot to enjoy themselves. I’d like to show that when you let go of your baggage, you will start to enjoy life more and perhaps even rise above your expectations. How do you get inspiration in Singapore?
A cup of coffee to start the day is a must! I people-watch a lot—human behavior is intriguing and inspiring at the same time. Living in a multicultural society helps me see things with differently. It shapes my ideas and stories behind my work. |
 Esther Goh
25, illustrator & designer |
What inspired your piece? What’s your daily routine? |
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Lydia Bindi
21, co-founder of Tell Your Children |
What inspired your piece?
Singapore’s weather. No one is going to agree with me, but I love the hot weather here. What do you wish were different about Singapore?
Hideously boring architecture. And the fact that we don’t have a mountain. How does living here influence your art?
There’s a general feeling of depression here—it makes me want to improve the situation with my work. |
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Soph O
30, artist |
Tell us about this piece.
This is one of the works I’m showing at Unintentional Islander, which revolves around migration stories. This particular one was inspired by a short conversation I had with a stranger at the airport while we were watching travelers look out for luggage on conveyor belts. Where do you find inspiration?
Transitional spaces, from bus terminals and train stations to kopitiams at midday—they’re almost always buzzing and constantly in limbo, where stories are floating about waiting to be heard. I also grew up in Woodlands, so the sights and sounds of Bas Sekolah and motorbikes-filled traffic always fascinated me. |
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Roy Wang
27, art director at Factory 1611 |
What inspired your piece?
These are two of my favorite local dishes from the former Margaret Drive kopitiam which I’d been visiting every week since I was a kid. When I heard plans that this old estate was going to be demolished, I decided to illustrate this to preserve something that has held so much memories for me. What’s your favorite spot to get inspired?
I love kopitiams. I spend a lot of time at kopitiams—chilling, having my meals and people-watching. Very often, you overhear some very interesting stories from the tables next to yours. |
 Ann Gee
27, freelance illustrator |
What does your piece represent?
The helplessness I feel at seeing old places and forests mowed down to make way for “progress”, the increasing lack of space and never-ending crowds everywhere. What do you hate most about Singapore?
The high cost of living (especially while the elderly have to do menial work just to struggle to get by), fat greedy landlords jacking up the rent, taxpayer’s money wasted on useless endeavors while the government trumpets every single cent given to those who need help, the lack of enforcement of rights for those who truly need them and the political and general apathy of people here, although that is changing. What do you love most about Singapore?
The pockets of spaces where time is still suspended, the growing vibrancy of the creative scene and increasing political awareness—people are no longer afraid to voice out and critique government policies. |
 Carmen Chen
22, freelance illustrator |
What does your piece mean?
In our tiny, multi-cultural nation, we tend to have many negative (or not) opinions, which we take to the internet every so often. These are represented by the colorful and chaotic shapes in the background. But in real life we are still rather hush-hush about our problems. I portray this through the contrasting black outline. You took art as a subject in secondary school. What was your experience like?
Instead of guiding us to develop a personal style after fundamental studies, my teachers taught us how to paint the same elements and the same obvious meanings. Trying something new was deemed wrong. After graduating, I made it point to do the total opposite of what I was taught. |
 Teo Chong Wah
23, NSF |
Tell us about your piece.
This work is part of “Why Must We Serve”, a personal series I started after entering the army. It’s a documentation of my mundane—or sad, or plain ridiculous— life in the service. What keeps you going every day?
An ice cold cup of coffee. What do you hate most about Singapore?
Peak hours!
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